- Hallucinating Loss, 2022
- Beautiful Illusions, 2020Suite of 18 photographs
Archival Carbon Pigment Ink
each 15″ x 18.75″
- Cane Lugubre, Memorans Illum Finem, 20191 minute 56 seconds (loop)
Sound Art
ListenClaudia X. Valdes, concept, mixing and vocals
William Fowler Collins, recording
- for Heidegger, 2019Platinum, Palladium, Gold photograph
One of a kind, edition of 5
6″ x 7.7″
- Field Music, 2018
- ARCHIVE, VOLUME 1, 2017Expanded Photo Book
Suite of 16 Archival Pigment Prints
Dimensions Variable
11″ x 14″ – 11″ x 29″• Central Features, NM, Boundless
• Loisaida Center, NY, Future Now, Future Ahora
- Judgment, 2016Photo Installation
Archival Pigment Print on Japanese Kozo Paper
92” x 92”• University of New Mexico Art Museum, Out of Many, One
• Center for Contemporary Arts, Santa Fe, NM, Getting Real
- Under Stars And Smoke, 2016Album Artwork
for Under Stars And Smoke (William Fowler Collins + James Jackson Toth)
Blackest Rainbow Records
LP and Digital
- For the Future, With Love, 2015Double-sided Flag
3′ x 5′• A People’s Atlas of the Nuclear United States
• Krannert Art Museum, IL, Hot Spots: Radioactivity and the Landscape
• Univ. at Buffalo Art Gallery, NY, Hot Spots: Radioactivity and the Landscape
• SITE Santa Fe, Santa Fe, NM, Flagpole installation
• Carlsbad Museum, NM, Turn on Take Cover
- Mesa Ritual, 2014Album Artwork
for Mesa Ritual (aka: William Fowler Collins + Raven Chacon)
SIGE RecordsLP, cover photograph
Cassette Tape, cover photograph
Cassette Tape Insert, photographRanked #1 in Village Voice: The Best Noise Music in 2014: The Year’s Top 36 Noise Cuts
- Chiron (Echo), 2014-presentSeries of 15 photographs
Archival Pigment Prints on Hahnemühle Photo Rag
3 additional images produced in Platinum, Palladium, Gold
dimensions variable
- DIALOGO, 20146 minutes 8 seconds
Immersive Fulldome Video
Claudia X. Valdes, video
William Fowler Collins, music• New Mexico Art in Public Spaces / Art Basel Miami installation
- Everything Matters, 2014 - present(ongoing)
Digital Prints on Metallic Paper
5.5” x 8”• SITE Santa Fe, Santa Fe, NM, SITE Unseen 8
- Tapeta Lucida, 2012
- The Sixth Magnitude, 2011-1210 minutes
3-channel immersive audio-video installation
Claudia X. Valdes, video
William Fowler Collins, music• ICA London, a/v works curated by Soundfjord
• Providence, RI, Pixilerations [v.9]
• University Art Museum, Albuquerque, NM
• Outpost Artists Resource, NY, Ende Tymes Festival
• Simon Fraser University, Canada, Cinesonika 2: International Conference & Festival of Sound Design
- Jornada del Muerto, 200940 minute performance, in 4 parts
Live video performance, Claudia X. Valdes
Live experimental guitarist, William Fowler Collins• NETWERK Center for Contemporary Art, Belgium
• Seattle Art Museum, 2009 Decibel Festival
• University of New Mexico, 2010 John Donald Robb Composers’ Symposium
- REVELATION 2213, 2009www. revelation2213.com
Interactive Networked Installation
Computer, external hard drive, LCD monitor, video camera, foot pedal, custom software• LAWRIMORE Project, Seattle, solo exhibition
- Minutes to Midnight, 200810 min 26 sec (silent)
Super 8 transferred to Digital Video
Installation: dimensions variable• IDEA Space @ Colorado College
• SITE Santa Fe, Santa Fe, NM
• Washington Project for the Arts, Washington DC
• LAWRIMORE Project, Seattle, solo exhibition
• University Art Museum, Albuquerque, NM, solo installation
- Trinity Site Series, 2007-08Series of 10 C-prints
Dimensions vary: 18″ x 13.5″ through 48″ x 64″Included in the 2009 book w/associated conference:
conference: Human Futures: Art in the Age of Uncertainty
book: @amazon• IDEA Space @ Colorado College
• LAWRIMORE Project, Seattle. solo exhibition
• Aqua Art Miami, w/ Lawrimore Project, Seattle
• SAM Gallery, Santiago, Chile, 2 person exhibition
- From Spiderman to Alba: Transgenics in a Post-Nuclear World, 2007New Media Scholarship
co-authored with Phillip ThurtleExplores post-1945 bio-mutants, in science fiction and comic superheros, as conceptual precursors to contemporary bio-art practices.
The full paper is archived by CIANT, and can be read HERE.
• RE:PLACE, Second International Conference on the Histories of Media, Art, Science and Technology, Berlin, Germany, 2007
• Mutamorphosis: Challenging Arts and Sciences, Prague, Czech Republic, 2007
•The 21st Annual Conference of the Society for Literature, Science, and the Arts: CODE, Portland, ME, 2007
- ALPHA.OMEGA, 2007Duratrans on Lightbox
26″ x 40″• LAWRIMORE Project, Seattle, solo exhibition
• Aqua Art Miami, with LAWRIMORE Project
- White City of the Future, 20069 min 30 sec
Digital Video
Installation: dimensions variable• LAWRIMORE Project, Seattle, solo exhibition
• Aqua Art Miami, w/ Lawrimore Project, Seattle
• SAM Gallery, Santiago, Chile, 2 person exhibition
- TRINITY TEST SITE, NM, 2006-2008Survival performances
Fear and flight performancesPerformance of responses for nuclear survival at the Trinity Test Site on White Sands Missile Range in New Mexico.
- His Memory, Like the World’s, Was Getting Spotty, 2006Dyptich of C-Prints
each 24″ x 30″• LAWRIMORE Project, Seattle
- TESTS, 2006Suite of 12 images
Watercolor and guache on paper
11″ x 16″ each• Center for Contemporary Arts, Santa Fe, NM
• LAWRIMORE Project, Seattle, solo exhibition
- #261, 20059 minutes
Digital Video
Installation: dimensions variable• Exit Art, New York
- BLASTS ( #1, #2, #3), 2005Suite of 3 images
Watercolor and guache on paper
11″ x 14″• LAWRIMORE Project, Seattle, solo exhibition
• Aqua Art Miami, w/ Lawrimore Project, Seattle
- Biofeedback and the Arts: Listening as Experimental Practice, 2005New Media Scholarship
co-authored with Phillip ThurtleExplores experiments with biofeedback in the arts in order to more fully understand the aesthetic and affective domains of consciousness. Archived on the Media Art Histories site, and can be read HERE.
• REFRESH: The First International Conference on the Histories of Media Art, Science and Technology, The Banff Centre, Canada, 2005
•The 19th Annual Conference of the Society for Literature, Science, and the Arts: Emergent Systems, Cognitive Environments, Chicago, IL, 2005
- 192:291, 2002/20095 minutes
Digital Video
Installation: dimensions variable• Center for Contemporary Arts, Santa Fe, NM
• Corcoran Gallery/College of Art & Design, Washington DC
• LAWRIMORE Project, Seattle, solo exhibition
• Transmediale 06, Berlin, Honorable Mention
• Museum of Contemporary Art, Chicago
• WRO Center for Media Art, Poland
• UCR/California Museum of Photography, Riverside, CA
• San Francisco Art Institute/Walter McBean Gallery
• San Jose Institute of Contemporary Art, solo exhibition
- 11th Hour Archive, 2002 - ongoingCollected Public Narratives
• Center for Contemporary Arts, Santa Fe, NM
• Headlands Center for the Arts, Sausalito, CA
- In the Dream of the Planet, 20027 min 40 sec
Digital Video
Installation: dimensions variableIncluded in the 2016 book:
ART IN THE MAKING: Artists and their Materials from the Studio to Crowdsourcing
• Carlsbad Museum, Carlsbad, NM
• 516 Arts, Albuquerque, NM
• Mills College Art Museum, Oakland, CA
• National Centre for Contemporary Art, Moscow
• La Sala Naranja, Valencia, Spain
• Pace University Digital Gallery, New York, NY
• Institute of Contemporary Arts, London
• Armory Center for the Arts, Pasadena, CA
• Museum of Contemporary Art, Chicago
• Southern Exposure Gallery, San Francisco, CA
• Bauhaus-Universität, Weimar, Germany
• Exit Art, New York
- Recurring Dream, Nine, 2002Digital print on board, video monitor, and 10 min digital video on DVD
48″ x 60″• LAWRIMORE Project, Seattle, solo exhibition
• Oakland Art Gallery, Oakland, CA
- Sites of Trauma, 2002Suite of 6
Oil on wood
3.5″ x 45″ overall
3.5″ x 5″ each panel• IDEA Space @ Colorado College
• LAWRIMORE Project, Seattle, solo exhibition
- Suppressing the Dream, 20014 min 49 sec
Digital Video• Werkstätten und Kulturhaus, Austria
• 18th Annual Film Arts Festival, San Francisco
• Southern Exposure Gallery, San Francisco
• Microcinema International world tour: New York, Chicago, Texas, Washington D.C., San Francisco, Santa Cruz, France, and Mexico
- Sacrament, Conversion, etc., 20012-channel Installation
Watercolor on wall with video projection• Worth Ryder Gallery, UC Berkeley, solo exhibition
- Fractal, 20013 channel video installation
created for University of California, Berkeley Dance TheaterClaudia X. Valdes, artist
Christopher Dolder, choreographer
Edwin Duggar, composer• Zellerbach Playhouse, UC Berkeley
- Untitled (Once), 2000oil on 5′ x 6′ canvas
with 13min video projection in loop• Berkeley Art Museum
• Limn Gallery, San FranciscoCollection:
• Simon Hamui, Mexico
- Interlude, 2000Two 20″x16″ canvases
Oil painting, photograph, and 9 minute video projection in loop• Galeria de la Raza, San Francisco, CA
- Bardos, 20004 minutes
Digital Video• Art in General, New York
• Centro Multimedia/Centro National de las Artes, Mexico
• Pacific Film Archive, California
• SXSW Film Festival, Texas